Red Devil 3167 1.5-Inch Double-Edge Blade

• Scrape any surface without gouging
• Extremely durable
• Lasts through tough jobs
• Resharpen with file
• Two scraping edges

This book is now a major motion picture released with the same title in August 2011. In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake ! a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion.Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Coope! r), a reckless, sadistic party-boy with a rabid hunger for sex! and bru tality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he need! s a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Though dazzled by the Black Prince's wealth, he finds his behavior horrifying, and discovers he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems e! qually bedazzled by this real-life Devil. Fortunately, Cooper ! rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyBased on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic! , drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he needs a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Th! ough dazzled by the Black Prince's wealth, he finds his behavi! or horri fying, and discovers he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems equally bedazzled by this real-life Devil. Fortunately, Cooper rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyIn 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Sadd! am's eldest son, and told that a great honour has been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraquis, it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for wh! ich he almost paid with his life on more than one occasion.Red! Devil 3 167 Scraper Blades, Double EdgeReplacement blades for double edge wood scrapers.Red Devil 3167 Scraper Blades, Double Edge Features:; 1 1/2" (7.6 cm) Blade (2); Carded; Blades made from high-carbon steel for maximum; sharpness and durability; Resharpen with file; Two scraping edges; Fits scraper 3140 (3673-5124); 1-1/2" wide; 2 per card

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Calendar Girls

• When 12 ordinary members of the Women's Institute, a prim and proper local ladies' club, decide they need to find a more compelling way to raise money for a new charity, they turn to their traditional annual calendar and give it a very untraditional twist. Behind the usual baked goods, the apple pressing, and the flower arrangements are the women -- completely nude! Starring 2003 Golden Gl

When 12 ordinary members of the Women's Institute, a prim and proper local ladies' club, decide they need to find a more compelling way to raise money for a new charity, they turn to their traditional annual calendar and give it a very untraditional twist. Behind the usual baked goods, the apple pressing, and the flower arrangements are the women -- completely nude! Starring 2003 Golden Globe nominee Helen Mirren (Best Actress, CALENDAR GIRLS) and Julie Walters (HARRY POTTER AND THE CHAMBER OF SECRETS), CAL! ENDAR GIRLS is a terrifically entertaining comedy. And that's the naked truth.In the sensible yet elegant hands of actresses Helen Mirren and Julie Walters, Calendar Girls walks a fine line between sappiness and snickering and ends up both wonderfully funny and gently touching. When her best friend Annie (Walters, Billy Elliot) loses her husband, Chris (Mirren, Prime Suspect, Gosford Park) cooks up a scheme to memorialize him: They and their friends--all fiftysomething women--will make a nude calendar to raise money for the hospital where he died. The calendar becomes hugely popular, but the success may drive a wedge between the two women's friendship. Based on an actual event, Calendar Girls carefully balances the stories of several women as it follows the calendar's media explosion, becoming a surprisingly moving fable of loss, determination, and the perils of fame. And let's face it--Helen Mirren is one of the wittiest and sexiest women! alive, clothes on or not. --Bret Fetzer

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Mel Gibson's Apocalypto (Widescreen Edition)

• All Movie Guide - As the foundation of the Mayan civilization begins to crumble, one man's previously idyllic existence is forever changed when he is chosen as a sacrifice needed to appease the gods in director Mel Gibson's mythic, end-times adventure. The Mayan kingdom is at the absolute height of opulence and power, but leaders are convinced that unless more temples are constructed and m

From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award®-winning BRAVEHEART (Best Director, Best Picture, 1995) comes the thrilling historical epic APOCALYPTO. This intense, nonstop action-adventure transports you to an ancient South American civilization, for an experience unlike anything you’ve ever known. In the twilight of the mysterious Mayan culture, young Jaguar Paw is captured and taken to the great Mayan city where he faces a harrowing end. Driven by the power of his love ! for his wife and son, he makes an adrenaline-soaked, heart-racing escape to rescue them and ultimately save his way of life. Filled with unrelenting action and stunning cinematography, APOCALYPTO is an enthralling and unforgettable film experience.'Forget any off-screen impressions you may have of Mel Gibson, and experience Apocalypto as the mad, bloody runaway train that it is. The story is set in the pre-Columbian Maya population: one village is brutally overrun, its residents either slaughtered or abducted, by a ruling tribe that needs slaves and human sacrifices. We focus on the capable warrior Jaguar Paw (Rudy Youngblood), although Gibson skillfully sketches a whole population of characters--many of whom don't survive the early reels. Most of the film is set in the dense jungle, but the middle section, in a grand Mayan city, is a dazzling triumph of design, costuming, and sheer decadent terror. The movie itself is a triumph of brutality, as Gibson lets loose hi! s well-established fascination with bodily mortification in a ! litany o f assaults including impalement, evisceration, snakebite, and bee stings. It's a dark, disgusted vision, but Gibson doesn't forget to apply some very canny moviemaking instincts to the violence--including the creation of a tremendous pair of villains (strikingly played by Raoul Trujillo and Rodolfo Palacias). The film is in a Maya dialect, subtitled in English, and shot on digital video (which occasionally betrays itself in some blurry quick pans). Amidst all the mayhem, nothing in the film is more devastating than a final wordless exchange of looks between captured villager Blunted (Jonathan Brewer) and his wife's mother (Maria Isabel Diaz), a superb change in tone from their early relationship. Yes, this is an obsessive, crazed movie, but Gibson knows what he's doing. --Robert Horton

Beyond Apocalypto

!

More films directed by Mel Gibson

Apocalypto soundtrack by James Horner

Stills from Mel Gibson's Apocalypto (click for larger image)

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Cthulhu Dice

• 2 or more player game
• 5-10 minutes to play
• Cthulhu madness
• Quick to learn and play
• Action packed dice game

For more than 80 years H.P. Lovecraft has inspired writers of supernatural fiction, artists, musicians, filmmakers, and gaming. His themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history - written with a pervasive atmosphere of unexplainable dread - remain not only viable motifs, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal and climatic change is overwhelming it. In the first decade of the twenty-first century the best supernatural writers no longer imitate Lovecraft, but they are profoundly influenced by the genre and the mythos he created. New Cthulhu: The Recent Weird presents some of the best of this new Lovecrafti! an fiction - bizarre, subtle, atmospheric, metaphysical, psychological, filled with strange creatures and stranger characters - eldritch, unsettling, evocative, and darkly appealing.Serving Cthulhu is fun . . . except for all those other cultists out to get you. So get them first! Cthulhu Dice lets you drive your rivals mad . . . very, very quickly. Players take turns rolling the big, beautiful, custom 12-sided die, embossed with tentacles, Elder Signs, and more. Destroy your opponents' sanity! Better yet, steal it. But watch out for Cthulhu - when he comes up, he takes sanity from everyone! 18 glass Sanity marbles are included. Lose all your marbles and you're mad. The last sane cultist wins . . . unless everyone goes mad together. Then Cthulhu wins!

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Hide And Seek Safari -Monkey

• No limit to the number of wands and animals that can be used together
• Hide the animal and use the wand to locate it
• 21st century version of "Hotter, Colder"
• Ages 5 and up
• Batteries included

Robert De Niro and Dakota Fanning keep pulses pounding and hearts racing in this chilling horror hit about a troubled father and daughter tormented by someone â€" or something â€" named Charlie, a malevolent entity who may or may not be "imaginary" but is definitely the stuff nightmares are made of!Dakota Fanning--the elfin star of Uptown Girls, The Cat in the Hat, and Man on Fire--trades in her blond locks for a semi-gothic brunette do in Hide and Seek. Fanning plays Emily, a young girl whose mother commits suicide. To help Emily through the trauma, her father David (Robert DeNiro), a psychologist, takes her to an isolated house in upstate New Yo! rk. But instead of healing, Emily gets dark circles under her eyes, mutilates her favorite doll, and develops an imaginary friend named Charlie. In no time at all, things get spooky and David suspects this imaginary friend isn't so friendly. Hide and Seek owes a lot to The Shining, but whether the creepiness is borrowed or not, there's a decent dose of it (though the twist at the end is unlikely to surprise many viewers). DeNiro does his job with professional gloss, but Fanning carries the movie; she's got the kind of charisma that goes beyond acting ability--that ineffable glow that makes an audience want to watch her. Hide and Seek also features Famke Janssen (X-Men), Elisabeth Shue (Leaving Las Vegas), and the ever-dependable Dylan Baker (Happiness). --Bret FetzerIntroducing the Hide & Seek Safari Monkey. The folks at R & R Games have brought the childhood classic "Hotter, Colder" into the 21st Century. An all new animal f! or use alone or with the other Hide & Seek animals. Use the Se! eker wan d to track down and catch this elusive Monkey. Lights flash to show you're getting warmer and the Seeker will sound when the Monkey is near! Requires one 9V and two "AA" batteries, included.

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Coastlines

• An ex-con returns to his Florida hometown after three years and becomes involved with the wife of his best friend, the local sheriff. Format: DVD MOVIE Genre: DRAMA Rating: R Age: 796019798686 UPC: 796019798686 Manufacturer No: 79868

THE FILM FOLLOWS GRAY WHEELER WHILE SHE CONFRONTS HER GRIEF OVERTHE DEATH OF HER SEEMINGLY PERFECT FIANCE. WHEN GRAY TURNS TO HER FIANCE'S FRIENDS FOR EMOTIONAL SUPPORT, SHE DISCOVERS THATTHERE WERE A FEW THINGS SHE DIDN'T KNOW ABOUT HER LATE BEAU. SHEALSO STARTS TO DEVELOP FEELINGS FOR ONE OF HIS FRIENDS.Jennifer Garner's lips grow more Angelina-esque every year. In the romantic comedy Catch and Release, Garner (Alias, 13 Going On 30) plays Gray Wheeler, a young woman whose fiance dies unexpectedly before the wedding, leaving Gray unable to afford her home--so she moves in with her fiance's best friends, Sam (Kevin Smith, director of Clerks! and Dogma) and Dennis (Sam Jaeger, Lucky Number Slevin). But the presence of another old friend named Fritz (Timothy Olyphant, Deadwood) leads to the unveiling of a secret: Gray's fiance had a child with another woman. Catch and Release lacks the clear story structure that most romantic comedies are built on, but trades it for a richer sense of the ambiguities of human relationships. Garner, though lovely and personable, is a bit bland--fortunately, she's surrounded by actors with all kinds of edges, including Smith (who shows an unexpected and uncloying earnest side), Fiona Shaw (from the Harry Potter movies) as the fiance's grieving mother, and Juliette Lewis (Cape Fear), who demonstrates once again her powers as a fearless and surprising actress. Catch and Release is an uneven movie, with a remarkably elegant visual style that sometimes clashes with the workmanlike dialogue, but it can't be written off as the same old! Hollywood claptrap. Though a happy ending is inevitable, the ! path it takes has some surprising turns and flashes of unexpected emotional depth.-- Bret Fetzer

Stills from Catch and Release (click for larger image)

Beyond Catch and Release on Amazon.com

!

More Films from Jennifer Garner

CD Soundtrack

More Romantic Comedies

Gray Wheeler just lost everything. But it could be the best thing that ever happened to her. After the death of her fiancé, Gray (Jennifer Garner) moves in with her late love’s best friends. While Sam (Kevin Smith) and Dennis (Sam Jaeger) do their best to cheer Gray up, Fritz (Timothy Olyphant) doesn’t seem to care. Once Gray breaks through Fritz’s defenses, however, she finally sees why her fiancé thought so highly of him. As they spend more time together, Gray learns that her chances for love have not died out with her fiancé. But when some surprise guests show up on their doorstep, it’ll take the love of all of her new friends to help Gray learn that life may b! e messy, but love is messier.Jennifer Garner's lips grow more Angelina-esque every year. In the romantic comedy Catch and Release, Garner (Alias, 13 Going On 30) plays Gray Wheeler, a young woman whose fiance dies unexpectedly before the wedding, leaving Gray unable to afford her home--so she moves in with her fiance's best friends, Sam (Kevin Smith, director of Clerks and Dogma) and Dennis (Sam Jaeger, Lucky Number Slevin). But the presence of another old friend named Fritz (Timothy Olyphant, Deadwood) leads to the unveiling of a secret: Gray's fiance had a child with another woman. Catch and Release lacks the clear story structure that most romantic comedies are built on, but trades it for a richer sense of the ambiguities of human relationships. Garner, though lovely and personable, is a bit bland--fortunately, she's surrounded by actors with all kinds of edges, including Smith (who shows an unexpected and uncloying earnes! t side), Fiona Shaw (from the Harry Potter movies) as t! he fianc e's grieving mother, and Juliette Lewis (Cape Fear), who demonstrates once again her powers as a fearless and surprising actress. Catch and Release is an uneven movie, with a remarkably elegant visual style that sometimes clashes with the workmanlike dialogue, but it can't be written off as the same old Hollywood claptrap. Though a happy ending is inevitable, the path it takes has some surprising turns and flashes of unexpected emotional depth.- Bret Fetzer

Stills from Catch and Release (click for larger image)

Beyond Catch and Release on Amazon.com

More Films from Jennifer Garner

CD Soundtrack

More Romantic Comedies

Studio: Sony Pictures Home Ent Release Date: 10/05/2010(Drama/Thriller) Sonny (Olyphant), an ex-con, returns home and creates a new dynamic for both friends and enemies. The local power broker, Fred Vance (Forsythe), wants Sonny back in his shady world but Sonny only wants money due. As he fig! hts his long suppressed desire for his best friend's wife, passion and revenge threaten to overtake all as Sonny’s anger careens out of control, leading to an explosive confrontation, and finally to a surprising resolution.

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House of Sand and Fog

• Condition: New
• Format: DVD
• AC-3; Anamorphic; Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitled; Widesc

Filmed entirely on the magnificent, sandy coast of northern Brazil, Áurea's saga begins in 1910, in Maranhão, where her fanatical husband has relocated his family to start a farm. Desperate and pregnant, Áurea (Fernanda Torres) longs to return to the city, but cannot traverse the dunes with her aging mother, Maria (Fernanda Montenegro) in tow. When calamity strikes, the two women find themselves stranded. Eventually, they settle among the shifting sands and Áurea finds peace. But her passionate daughter, Maria, longs to explore the world beyond the dunes. This profound portrait of passing generations has established Andrucha Waddington as one of the most exciting directors in Brazil today.The landscape looks like the surface of the moon. Set in Br! azil's Maranhão desert, House of Sand follows three generations of women, from 1910 to 1969, as they eke out a living from this hostile environment. Oafish Vasco (director Ruy Guerra) brings pregnant wife Áurea (Fernanda Torres) and her mother, Dona Maria (Fernanda Montenegro, Central Station), from the city to make a new start. Shortly after they arrive, fate takes him out of the picture. Mother and daughter muddle through with the help of slave descendents. Wary at first, Massu (Seu Jorge, City of God) takes a particular shine to the duo. The story then skips ahead to 1919, when an escape route materializes. There will be two more shifts in time. By 1942, Áurea's daughter, Maria (Torres), has grown into impetuous womanhood, while Áurea (Montenegro) and Massu (Luiz Melodia) have settled into middle age. In the final section, set during the year of the first lunar landing, Áurea (Montenegro) is around the same age as her mother at the start of the ! film. With the exception of Camilla Facundes as nine-year-old ! Maria, T orres and her real-life mother assume every female role. What does it all mean? Andrucha Waddington (Me You Them) doesn't burden his enigmatic epic with a singular message, but those who appreciate dust-swept dramas like Woman in the Dunes and Walkabout aren't likely to hold it against him. The point seems to be that the human--especially the female--capacity for survival knows no bounds. --Kathleen C. Fennessy

Stills from House of Sand (click for larger image)

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Academy Award winners Ben Kingsley (Gandhi) and Jennifer Connelly (A Beautiful Mind) deliver stunning performances as two strangers whose conflicting pursuits of the American Dream lead to a fight for their hopes at any cost. What begins as a struggle over a rundown bungalow spirals into a clash that propels everyone involved toward a shocking resolution. "The surprise ending will leave you breathless!" (Clay Smith, Access Hollywood! )Jennifer Connelly followed up her Academy Award for A Beau! tiful Mi nd with this dark but moving story of small mistakes that escalate, with tragic necessity, to disaster. In House of Sand and Fog, Kathy (Connelly) gets evicted from her house for failing to pay a tax she never should have been charged in the first place. The house is swiftly put up for auction and bought by a former military officer from Iran named Behrani (Ben Kingsley, Sexy Beast). When legal efforts fail her, Kathy turns to a sympathetic cop (Ron Eldard, Bastard Out of Carolina), who wants out of a loveless marriage and who's willing to step over legal boundaries if it might give him a fresh start. Topnotch performances by the entire cast make House of Sand and Fog a compelling psychological drama; your sympathies will be pulled in all directions. --Bret Fetzer

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