4:51 PM
admin
- Full Screen Edition
- Bonus Features
Friday, December 2, 2011
Drumline (Full Screen Edition)
The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]
- Condition: New
- Format: Blu-ray
- AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree
A Fistfull Of Dollars
Clint Eastwood’s legendary “M! an With No Name†makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.
For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!
The Good, The Bad And The Ugly
The invincible “Man With No Name†(Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" and stay alive â€" in a! country ravaged by war.Review for A Fistful of Do! llars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himse! lf. --Edward Buscombe
Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ruthless Civil War-era! quest for $200,000 worth of buried Confederate gold. Virtuall! y all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon
Boarding Gate
- The new film from acclaimed and adventurous French filmmaker Olivier Assayas, BOARDING GATE is an erotic noir-thriller boasting an exciting international cast.Asia Argento plays sexy ex-prostitute Sandra, who is forced to flee London after a steamy S&M encounter with a debt ridden ex-lover (Michael Madsen) ends in violence. Fleeing to Hong Kong in search of a fresh start, she becomes involved
ABO Gear Happy Habitat for Indoor Cats
- Keeps your indoor kitties safe and sound outdoors
- Great for use in your yard or on your deck or balcony
- Provides more than 30 square feet of outdoor safety
- Folds into convenient carry bag for trips
- Includes zipper door and 2 pegs for staking down
Kenneth Cole Women's Blurred Animal Spot Pleated Top, Light Camel Combo, Large
- Asymmetric pleat detail
- Long sleeve
If you are a fan of Halloween then you know the euphoria of pretending to be Frankenstein or a prostitute or Spiderman or Wonder Woman or a tiger or Dorothy or any old somebody or something that you are not.
To be free of social constraints, to melt the world as you know it for an evening, to be tantalized by uniqueness, causes tens of millions of people to be filled with glee on the last day of October. Some people spend a week's pay and a year's plotting to come up with the perfect costume that will blow their friends' minds away.
For some reason, people experience untold amounts of elation when they get to pretend to be somebody who they are not.
Multiply that by 50,000 and you would come close to the level of euphoria you'd reach ! if you got to actually parade around in the skin of somebody else for a few days. Just imagine if, all of a sudden, with the mere injection of a needle, you became Asian or a midget or a man. A quick sting in the ribs and you're blonde or pretty or have an Afro. Just imagine becoming any of these combinations and infinitely more. Since you are no longer actually you, you are immediately freed up to talk to whomever you want to talk to without fear of them judging you. All of a sudden, you can take revenge on enemies, commit crimes and be lascivious without fear of repercussions. All of a sudden, you are free.
Imagine how much fun it would be to be anybody or anything you wanted to be!
And with absolutely no constraints, no restrictions, no limitations, no boundaries, no gravity!
Wouldn't that be great?!
The novel blurred explores this scenario and makes the following analogy:
Drop a frog into a pot of water and he'll swim! about contentedly. Fatten him up with a few flies and he'll ! be the h appiest frog in the world. He will swim around blissfully, unaware that a fire has been built beneath his pot, only that it has become warmer, until he is finally cooked alive.
blurred turns this figurative frog into Sam Senior who swims naively in a social milieu that has had a fire applied to it for generations. Brilliant in his use of the innernet (an internet connection in the brain), Sam can navigate dozens of websites simultaneously. A NetJeopardy champion on a full ride at a prestigious university, Sam's future looks bright. Perpetually checking social sites while surfing the net, even as he converses with people nearby, Sam doesn't initially realize that he is being held in the ubiquitous sway of a constant communication that paradoxically leads to a lack of real communication, a lack of deep communication.
However, Sam takes a class where he learns about a (possibly) mythological drug, DNA, which instantly alters a person's physical identi! ty and is used primarily for either recreational sex, crime, or revenge. His professor teaches his class by having students read about "drops" he has taken where he engages in the above activities. Slowly, Sam begins to realize that the pot he is swimming in is getting too hot.
Mirrored by a future that suffers from a general dearth of love, Sam's loneliness is palpable. For, although the future is excessively promiscuous, love and sex are not always interchangeable. A hopeless romantic, Sam wants to wait for just the right woman before engaging in intercourse. Of course, with most people taking several sex partners a month, everyone mocks him as prude.
As the world begins to blur together, like water in a boiling pot, Sam quests after love. Buffeted about by reality, he finally finds the arms of a fascinating woman. Simpatico, they both realize that there is nothing in a transitory world but one another and the hope that their love can carry them thr! ough the darkness that is postmodernity.Blurred animal spot pl! eated to p
Elizabeth: The Acclaimed Saga of England's Virgin Queen
- One of the most important rulers in history, Elizabeth I came to the throne at a time when England was under threat of annexation from abroad and collapse from within. When she died after a reign of 45 years, she left behind a nation protected by the greatest navy on earth and in the midst of a cultural explosion she made possible.Hosted by the world-renowned historian David Starkey (author of Eli
One of the big Elizabethan-era films of 1998, Shekhar Kapur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough) beg her to marry any one of her would-be ! suitors to stabilize England's empire. No matter that she alre! ady has a lover. The passionate Robert Dudley (Joseph Fiennes) is married, however, and shows he cannot stand up to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies before they get to her first. But her rise ultimately entails rejecting love and marriage to redefine herself as the indisputable Virgin Queen.
Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages. Rich velvet brushes over the dank stones! while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon Gee
Studio: Uni Dist Corp. (mca) Release Date: 03/22/2011 Rating: ROne of the big Elizabethan-era films of 1998, Shekhar Kapur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough)! beg her to marry any one of her would-be suitors to stabilize! England 's empire. No matter that she already has a lover. The passionate Robert Dudley (Joseph Fiennes) is married, however, and shows he cannot stand up to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies before they get to her first. But her rise ultimately entails rejecting love and marriage to redefine herself as the indisputable Virgin Queen.
Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages! . Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon Gee
Academy Award® winners Cate Blanchett and Geoffrey Rush join Academy Award® nominee Clive Owen in a gripping historical thriller full of suspense, intrigue and adventure!When Queen Elizabeth's reign is threatened by ruthless familial betrayal and Spain's invading army, she and her shrewd advisor must act to safeguard to the lives of her people. But when a dashing seafarer, Walter Raleigh, captures her heart, she is forced to make her most tragic sacrifice for the good of her country.
Elizabeth: The Golden Age tells the thrilling tale of one woman's crusade to control her love, destroy her enemies and secure her position as a beloved icon of the western world.In 1998's Elizabeth, Shekhar Kapur add! ed a layer of suds to his history lesson; the director follows! the sam e audience-pleasing recipe in Elizabeth: The Golden Age. Since the first film, Blanchett scored an Oscar for her note-perfect rendition of Katharine Hepburn in The Aviator, and she plays the preternaturally bemused monarch in a similar fashion. By 1585, Elizabeth I is an experienced ruler about to face two of her biggest challenges: betrayal by her Catholic cousin, Mary Stuart (Control's Samantha Morton), and invasion by the Spanish Armada. It isn't so much that the Protestant Elizabeth wishes to rid England of "papists," but that she wants her country to remain free from foreign domination. Closer to her home, she enjoys a sisterly relationship with lady-in-waiting Bess (rising Aussie star Abbie Cornish). That changes when Sir Walter Raleigh (a dashing Clive Owen) hits the scene. In order to continue exploring the New World, he seeks the queen’s sponsorship. She is charmed, but Raleigh only has eyes for Bess. As in the previous picture, Elizabet! h enjoys better luck at affairs of state than affairs of the heart, but the conclusion is more beatific than before (and Kapur intends a third installment if Blanchett is willing). Elizabeth: The Golden Age is a rush of royal intrigue, bloody torture, fantastic headpieces, and irresistibly ripe dialogue, like "I have a hurricane in me that will strip Spain bare if you dare to try me!" To Kapur, victory for the Virgin Queen was a viable alternative to sex. --Kathleen C. Fennessy
Stills from Elizabeth â€" The Golden Age (click for larger image)
 |  ! |
 |
Academy Award® winners Cate Blanchett, Geoffrey Rush and Richard Attenborough lead a distinguished cast in Elizabethâ€"the critically acclaimed epic of the queen’s turbulent and treacherous rise to power. Before the Golden Age, Elizabeth was a passionate and naïve girl who came to reign over a land divided by bloody turmoil. Amid palace intrigue and attempted assassinations, the young queen is forced to become a cunning strategist while weighing the counsel of her mysterious advisors, thwarting her devious rivals and denying her own desires for the good of her country. Relive the majesty and drama of one of history’s greatest monarchs in this stunning production that was honored with 7 Academy Award® nominations, including Best Picture!
One of the big Elizabethan-era films of 1998, Shekhar Kap! ur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough) beg her to marry any one of her would-be suitors to stabilize England's empire. No matter that she already has a lover. The passionate Robert Dudley (Joseph Fiennes) is married, however, and shows he cannot stand up to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies! before they get to her first. But her rise ultimately entails! rejecti ng love and marriage to redefine herself as the indisputable Virgin Queen.
Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages. Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon Gee
Studio: Hbo Home Video Release Date: 11/20/2007Helen Mirren's Elizabeth I could al! most be cousin to her Jane Tennison. Like the dedicated detective chief inspector, Queen Bess is not without a heart, but work comes first and any romantic entanglements are doomed to fail. Fortunately, she has her friendships. Directed by Tom Hooper (Prime Suspect 6), this two-part HBO/Channel 4 tele-film begins in 1579. The Virgin Queen has been on the throne for 20 years, but has not married. Her closest relationship is with Robert Dudley, the Earl of Leicester (Jeremy Irons), whom the council will not allow her to wed. Because Robert wishes to produce an heir, he marries another, garnering Elizabeth's disfavor (and nor is he all that thrilled about her dalliance with Henry, the Duke of Anjou). In time, he'll return to her good graces. As she explains, "Friendship outlasts love and is stronger than love." Then, as his health begins to fails, she'll turn to his stepson, the dashing, if duplicitous Robert Devereaux, the Earl of Essex (Hugh Dancy, the Hooper-directed! Daniel Deronda). Meanwhile, Mary, Queen of Scots (Barb! ara Flyn n) plots against her Protestant cousin. Even after Mary makes her exit, plenty of other powerful Catholics will stop at nothing to seize the crown. Marked as much by triumph as tragedy, the role of Elizabeth I has been catnip for many illustrious actresses, notably Bette Davis, Glenda Jackson, and Cate Blanchett. Mirren's multi-faceted portrayal of the queen's golden years is a worthy addition to that canon and Irons is a particularly formidable foil. --Kathleen C. FennessyAcademy Award® winners Cate Blanchett and Geoffrey Rush join Academy Award® nominee Clive Owen in a gripping historical thriller full of suspense, intrigue and adventure! Elizabeth: The Golden Age tells the thrilling tale of one woman's crusade to control her love, destroy her enemies and secure her position as a beloved icon of the Western world.In 1998's Elizabeth, Shekhar Kapur added a layer of suds to his history lesson; the director follows the same audience-pleasing recipe inStills from Elizabeth â€" The Golden Age (click for larger image)
| |
|
One of the big Elizabethan-era films of 1998, Shekhar Kapur's Elizabeth serves up a brimming goblet of religious tension, political conspiracy, sex, violence, and war. England in 1554 is in financial and religious turmoil as the ailing Queen "Bloody" Mary attempts to restore Catholicism as the national faith. She has no heir, and her greatest fear--that her Protestant half-sister Elizabeth will assume the throne after her death--is realized. Still, the late Queen Mary has her loyalists. The newly crowned Elizabeth finds herself knee-deep in dethroning schemes while also dodging assassination attempts. Her advisers (including Sir William Cecil, superbly played by Richard Attenborough) beg her to marry any one of her would-be suitors to stabilize England's empire. No matter that she already has a lover. The passionate Robert Dudley (Jo! seph Fiennes) is married, however, and shows he cannot stand u! p to the growing strength of the Queen. With the help of her aide Walsingham (Geoffrey Rush), Elizabeth strikes against her enemies before they get to her first. But her rise ultimately entails rejecting love and marriage to redefine herself as the indisputable Virgin Queen.
Cate Blanchett's Oscar-nominated performance as the naive and vibrant princess who becomes the stubborn and knowing queen is both severe and sympathetic. Her ethereal, pale beauty is equal parts fire and ice, her delivery of such lines as "There will be only one mistress here and no master!" expressed with command rather than hysterics. As striking as Blanchett's performance is the film's lavish and dramatic production design. The cold, dark sets paired with the lush costuming show the golden age of England's monarchy emerging from the Middle Ages. Rich velvet brushes over the dank stones while power is achieved at any price, and with such attention to physical detail, Elizabeth fully immerses! you into its compelling chronicle of pioneering feminism and revisionist history. --Shannon GeeOne of the most important rulers in history, Elizabeth I came to the throne at a time when England was under threat of annexation from abroad and collapse from within. When she died after a reign of 45 years, she left behind a nation protected by the greatest navy on earth and in the midst of a cultural explosion she made possible. Hosted by the world-renowned historian David Starkey (author of Elizabeth: The Struggle for the Throne) ELIZABETH explores the life and rule of the woman who gave her name to an era. A compelling blend of dramatic re-creations and incisive commentary brings alive the courtly intrigues and epic conflicts that shaped her reign, opens a window into the Queen's private struggles and convictions, and examines her monumental legacy. The four volumes in this epic set are From the Prison to the Palace, The Virgin Queen, Heart of a King and Gloriana.
Fears of the Dark
- FEARS OF THE DARK (DVD MOVIE)
Product Features
- Material: [membrane/laminate] V-Science (2-layer); [shell] V-Science plain-weave
- Insulation:
- Fabric Waterproof Rating: 15,000 mm
- Fabric Breathability Rating: 10,000 g/m
- Hood: yes, fixed
- Fit: standard
- Center Back Length:
- Length: below hip
- Venting: underarm zip vents
- Powder Skirt: yes, adjustable
- Pockets: (external) 2 hand-warmer, 1 left chest zip, (interna! l) 1 goggle, 1 media
- Seams: critical seams taped
- Wrist Gaiters: no
- Liner-Compatible: no
- RECCO:
- Weight:
- Recommended Use: snowboarding
- Manufacturer Warranty: 30 days
This first in the "Dark" series of Mike Angel, Private Investigator mysteries is a wild ride, set in the New York/New Jersey and Chicago areas in 1960. If you like complex plots, soul-tortured protagonists, and suspense, you'll be hooked by this series. The first volume is historical fiction, involving names and places connected with remnants of the infamous Purple Gang of the 1930s. Suspense, seduction and even some suupernatural elements are involved, though this is more of a mystery series in the vein of Chandler, Spillane, Hammett.
Burdened by the unsolved murder of his father, a career NYPD lieutenant whose "voice" warns whenever danger is near, 30-year-old Mike Angel is a K! orean vet and bored private investigator of insurance fraud. W! hen a we althy ex-college buddy hires him to tail Joe Ambler, a petty blackmailer, Mike fixates on Kimbra, the blackmailer's woman, a stunning beauty who commits murder. Mike impulsively helps her dispose of the body and finds himself on the wrong side of the law.
Mike then discovers the dead man was the grandson of a feared and legendary mob leader, founder of Detroit's Purple Gang of the 1920s and 30s, possibly still alive. The same week, a well-dressed thug comes looking for Ambler, and the wealthy buddy who hired Mike runs off with Kimbra and is murdered in the Bahamas.
Kimbra disappears. While searching for her Mike stumbles across connections to the Russian-Cuban branch of the ring responsible for a string of unsolved murders in three states.
Seduction, deception, murders, shootouts, and crooked officials take Mike on a dangerous mission to the final showdown at Russian mob headquarters outside the small town of Mattoon, Illinois, where he hopes t! o discover who killed his father and save the life of Nika, a woman he has fallen for. You may have quite a few laughs at Mike's sarcasm and approach throughout. Consistenly rated high.Synopsis of Dark Quarry, by David H. Fears
This first in the "Dark" series of Mike Angel, Private Investigator mysteries is a wild ride, set in the New York/New Jersey and Chicago areas in 1960. If you like complex plots, soul-tortured protagonists, and suspense, you'll be hooked by this series. The first volume is historical fiction, involving names and places connected with remnants of the infamous Purple Gang of the 1930s. Suspense, seduction and even some suupernatural elements are involved, though this is more of a mystery series in the vein of Chandler, Spillane, Hammett.
Burdened by the unsolved murder of his father, a career NYPD lieutenant whose "voice" warns whenever danger is near, 30-year-old Mike Angel is a Korean vet and bored private investigator of insurance ! fraud. When a wealthy ex-college buddy hires him to tail Joe A! mbler, a petty blackmailer, Mike fixates on Kimbra, the blackmailer's woman, a stunning beauty who commits murder. Mike impulsively helps her dispose of the body and finds himself on the wrong side of the law.
Mike then discovers the dead man was the grandson of a feared and legendary mob leader, founder of Detroit's Purple Gang of the 1920s and 30s, possibly still alive. The same week, a well-dressed thug comes looking for Ambler, and the wealthy buddy who hired Mike runs off with Kimbra and is murdered in the Bahamas.
Kimbra disappears. While searching for her Mike stumbles across connections to the Russian-Cuban branch of the ring responsible for a string of unsolved murders in three states.
Seduction, deception, murders, shootouts, and crooked officials take Mike on a dangerous mission to the final showdown at Russian mob headquarters outside the small town of Mattoon, Illinois, where he hopes to discover who killed his father and save the life of Nika, a wo! man he has fallen for. You may have quite a few laughs at Mike's sarcasm and approach throughout. Consistenly rated high.It has been hailed as the most visually stunning and unsettling anthology in modern animation history: Artistic director Etienne Robial brings together six of the world s leading comic and graphic artists Blutch, Charles Burns, Marie Caillou, Richard McGuire, Pierre di Sciullo and Lorenzo Mattotti to each create a black and white journey straight into the realm of fright. This is their stark and naked world of phobias, nightmares and shadows, of strange noises, slimy bugs and dead things. It s a creepy, kinky, sometimes funny and always scary ride inside what makes our skin crawl and keeps us awake all night. The lights are off. The fear is real. Do you dare watch it alone?
