Gram Parsons: Fallen Angel

• This definitive biography chronicles a Southern Gothic saga and is a fascinating look at "The Grievous Angel" and the heartbreakingly beautiful music he created. Dispelling myths that have grown to surround Gram, Fallen Angel shows us the essence of his artistry; it is a truly revealing account of his life and ongoing influence. On September 19, 1973, the musician and heir to a million-dollar f

Johnny Knoxville (Jackass: The Movie, Walking Tall) shows off star power in his firstleading role as the hard-drinking, motorcycle-riding rock 'n' roll manager Phil Kaufman. When legendary singer Gram Parsons dies, Kaufman steals the body to keep his promise to make Joshua Tree Gram's final resting place. Chased by the cops, Gram's father and Gram's psycho ex-girlfriend, Betty (Christina Applegate), Kaufman embarks on a darkly comic adventure deep into the desert. Based on a truestory, this reckless ro! ad movie exceeds all limits.Johnny Knoxville (Jackass: The Movie, Walking Tall) shows off star power in his firstleading role as the hard-drinking, motorcycle-riding rock 'n' roll manager Phil Kaufman. When legendary singer Gram Parsons dies, Kaufman steals the body to keep his promise to make Joshua Tree Gram's final resting place. Chased by the cops, Gram's father and Gram's psycho ex-girlfriend, Betty (Christina Applegate), Kaufman embarks on a darkly comic adventure deep into the desert. Based on a truestory, this reckless road movie exceeds all limits.Johnny Knoxville (Jackass: The Movie, Walking Tall) shows off star power in his first leading role as the hard-drinking, motorcycle-riding rock 'n' roll manager Phil Kaufman. When legendary singer Gram Parsons dies, Kaufman steals the body to keep his promise to make Joshua Tree Gram's final resting place. Chased by the cops, Gram's father and Gram's psycho ex-girlfriend, Betty (Christina Applegate), Kaufman embarks on ! a darkly comic adventure deep into the desert. Based on a tru! e story, this reckless road movie exceeds all limits.This definitive biography chronicles a Southern Gothic saga and is a fascinating look at "the Grievous Angel" and the heartbreakingly beautiful music he created. Dispelling myths that have grown to surround Gram, Fallen Angel shows us the essence of his artistry; it is a truly revealing account of his life and ongoing influence. Fallen Angel features music from Gram Parsons’ groundbreaking career with The International Submarine Band, The Byrds, The Flying Burrito Brothers, as well as his highly acclaimed solo albums. Featured interviews include Peter Buck, James Burton, Emmylou Harris, Chris Hillman, Phil Kaufman, Bernie Leadon, Avis Bartkus Parsons III, Gretchen Parsons Carpenter, Diane Parsons, Polly Parsons, Keith Richards, Dwight Yoakam, and more.Cynics have suggested that death is a shrewd career move for some artists, and when it comes to singer-songwriter Gram Parsons, whose life, work, and demise are chronicled in Fa! llen Angel, they may be right. Although undeniably talented, Parsons never had a hit and made just six albums, and only one of them (the Flying Burrito Brothers' The Gilded Palace of Sin) is a bona fide classic. That's one reviewer's opinion, anyway. Yet three decades after he died (in 1975, at age 26), Parsons is revered as a country rock pioneer, a significant influence on Keith Richards and the Rolling Stones, and a colossal talent who never got his due. While that may all be true, what's beyond dispute (and it's confirmed by the great majority of those interviewed in director Gandulf Henning's documentary) is that Parsons was a screw-up, a drunk and drug abuser who squandered his opportunities and dug himself an early grave, even by rock star standards. It wasn't all his fault. Any kid with a family background like his (his father committed suicide and his mother died from the ravages of alcoholism… possibly with the assistance of her second husband, Parson! s' stepfather, who was a big drinker himself) is bound to have! , shall we say, issues; Parsons was also well off financially, a fact that many interviewees (most notably Chris Hillman, who played with him in the Byrds and the Burritos) suggest might have attributed to his lack of driving ambition. Richards, duet partner Emmylou Harris, and other former bandmates are on hand to tell the tale, along with his widow, various surviving relatives, and close friends and associates. There's lots of Parsons' music on the soundtrack, as well as excerpts from a couple of Burritos promo films and some interesting footage of him singing with Harris. In the end, the film's most haunting moments concern the events that followed Parsons' death, when road manager Phil Kaufman commandeered (stole, actually) his casket and drove it to California's Joshua Tree National Monument, where he set it on fire, apparently according to the singer's wishes. Now that is the stuff of legend. --Sam Graham

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Frost/Nixon [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen

From Academy Award-winning director Ron Howard comes the electrifying, untold story behind one of the most unforgettable moments in history. When disgraced President Richard Nixon agreed to an interview with jet-setting television personality, David Frost, he thought he’d found the key to saving his tarnished legacy. But, with a name to make and a reputation to overcome, Frost became one of Nixon’s most formidable adversaries and engaged the leader in a charged battle of wits that changed the face of politics forever. Featuring brilliant portrayals by Frank Langella and Michael Sheen, Frost/Nixon is the fascinating and suspenseful story of truth, accountability, secrets and lies.Sounds like a good match: a historical drama from the author of The Queen, but wit! h an American subject in the generational wheelhouse of director Ron Howard. And so Peter Morgan's Tony-winning play morphs into a Hollywood movie under the wing of the Apollo 13 guy. Morgan's subject is a curious moment of post-Watergate shakeout: British TV host David Frost's long-form interviews with ex-President Richard Nixon, conducted in 1977. It was a big ratings success at the time, justifying the somewhat controversial decision to cut an enormous check for Nixon's services. The movie adds a mockumentary note to the otherwise straightforward style, having direct-to-camera addresses from various aides to Frost and Nixon (played by the likes of Oliver Platt, Sam Rockwell, and Kevin Bacon); these basically tell us things we already glean from the rest of the movie, adding unnecessary melodrama and upping the stakes. In this curious scheme, the success of Frost's career, which could bellyflop if he doesn't get something worthwhile out of the cagey, long-winded ! Nixon, is given somewhat more weight than the actual revelatio! ns of th e interviews. Even with these questionable storytelling decisions, there's still the spectacle of two actors going at it hammer and tongs, and on that level the movie offers some heat. Michael Sheen, who played Tony Blair not only in The Queen but also in another Morgan-scripted project, The Deal, is adept at catching David Frost's blow-dried charm, as well as the determination beneath it. Frank Langella's physical performance as Nixon is superb, and he certainly can be a commanding actor, though veteran Nixon-watchers might find that he misses a certain depth of self-pity in the man. Both actors were retained from the original stage production, a rare thing in Hollywood--and probably Howard's best decision of the project. --Robert HortonFrom Academy Award-winning director Ron Howard comes the electrifying, untold story behind one of the most unforgettable moments in history. When disgraced President Richard Nixon agreed to an interview with jet-s! etting television personality, David Frost, he thought he’d found the key to saving his tarnished legacy. But, with a name to make and a reputation to overcome, Frost became one of Nixon’s most formidable adversaries and engaged the leader in a charged battle of wits that changed the face of politics forever. Featuring brilliant portrayals by Frank Langella and Michael Sheen, Frost/Nixon is the fascinating and suspenseful story of truth, accountability, secrets and lies.Sounds like a good match: a historical drama from the author of The Queen, but with an American subject in the generational wheelhouse of director Ron Howard. And so Peter Morgan's Tony-winning play morphs into a Hollywood movie under the wing of the Apollo 13 guy. Morgan's subject is a curious moment of post-Watergate shakeout: British TV host David Frost's long-form interviews with ex-President Richard Nixon, conducted in 1977. It was a big ratings success at the time, justifying th! e somewhat controversial decision to cut an enormous check for! Nixon's services. The movie adds a mockumentary note to the otherwise straightforward style, having direct-to-camera addresses from various aides to Frost and Nixon (played by the likes of Oliver Platt, Sam Rockwell, and Kevin Bacon); these basically tell us things we already glean from the rest of the movie, adding unnecessary melodrama and upping the stakes. In this curious scheme, the success of Frost's career, which could bellyflop if he doesn't get something worthwhile out of the cagey, long-winded Nixon, is given somewhat more weight than the actual revelations of the interviews. Even with these questionable storytelling decisions, there's still the spectacle of two actors going at it hammer and tongs, and on that level the movie offers some heat. Michael Sheen, who played Tony Blair not only in The Queen but also in another Morgan-scripted project, The Deal, is adept at catching David Frost's blow-dried charm, as well as the determination beneath it. Frank ! Langella's physical performance as Nixon is superb, and he certainly can be a commanding actor, though veteran Nixon-watchers might find that he misses a certain depth of self-pity in the man. Both actors were retained from the original stage production, a rare thing in Hollywood--and probably Howard's best decision of the project. --Robert Horton

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Humpday

• It s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at

It's been a decade since Ben (Duplass) and Andrew (Leonard)
were college bad boys. Ben is living contently with a good job and a great wife, until his old buddy Andrew shows up on his doorstep late one night. Andrew, who lives as a vagabond artist, invites Ben out to a wild party. Excessive drinking
combined with the irrational need to oneup each other, leads to a mutual dare that locks them into entering an
amateur porn contest together.A bromantic comedy par excellence, Humpday push! es the concept of male bonding and male competition (so often intertwined) to its end point. Two old buddies, Ben (Mark Duplass) and Andrew (Joshua Leonard), reunite after a few years' time. Mark is living the bourgeois life in Seattle, with a home, a wife (Alycia Delmore), and a responsible job. Andrew's just blown in from vagabonding around Mexico, and his bohemian cred is as thick as his beard. When the buds drunkenly vow to participate in a local amateur porn-movie contest with themselves as stars, the stage is set for a game of staredown: neither guy wants to be the first to blink and admit he isn't quite open-minded or free-swinging enough for the stunt. (One large roadblock: Ben needs to actually convey the information about the film project to his wife, a dilemma that leads to some of the movie's funniest scenes.) Director Lynn Shelton works in an improvisatory style, figuring out the dialogue with the actors and creating a loose, frowzy atmosphere within scenes. Th! at sense of verisimilitude helps sell the whopper of a premise! , but wh at's even more impressive is Shelton's laser-like sense of male insecurity and rivalry (also on view in her previous picture, My Effortless Brilliance). Duplass (from The Puffy Chair) and Leonard (a Blair Witch trekker) play this to the hilt, particularly in the gloriously uncomfortable climatic scene, when push, shall we say, is going to have to come to shove. Humpday was a Sundance breakout in 2009, coming out of nowhere (i.e., Seattle, Shelton's home base) and snagging a summer release. And why not? If the specific plot isn't exactly a universal experience, the movie's underlying anxieties certainly are. --Robert Horton

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Deadland

• DEADLAND (DVD MOVIE)

The sensational Amazon.com bestseller. #1 Science Fiction and Horror bestseller. More than 50,000 copies sold in less than three months.

Civilization as we know it ended more than fifteen years ago, leaving as it's legacy barren wastelands called the Deadland and a new terror for the humans who survived- hordes of undead Biters.

Fifteen year-old Alice has spent her entire life in the Deadland, her education consisting of how best to use guns and knives in the ongoing war for survival against the Biters. One day, Alice spots a Biter disappearing into a hole in the ground and follows it, in search of fabled underground Biter bases.

What Alice discovers there propels her into an action-packed adventure that changes her life and that of all humans in the Deadland forever. An adventure where she learns the terrible conspiracy behind th! e ruin of humanity, the truth behind the origin of the Biters, and the prophecy the mysterious Biter Queen believes Alice is destined to fulfill.

A prophecy based on the charred remains of the last book in the Deadland- a book called Alice in Wonderland.

NOW AVAILABLE- THROUGH THE KILLING GLASS: ALICE IN DEADLAND BOOK II.

Learn more about the world of Alice in Deadland and engage with the author and other readers at the new Alice in Deadland Facebook Group. Go to facebook.com/groups/345795412099089.The sensational Amazon.com bestseller. #1 Science Fiction and Horror bestseller. More than 50,000 copies sold in less than three months.

Civilization as we know it ended more than fifteen years ago, leaving as it's legacy barren wastelands called the Deadland and a new terror for the humans who survived- hordes of undead Biters.

Fifteen year-old Alice has spent her entire life in the Deadland, her education con! sisting of how best to use guns and knives in the ongoing war ! for surv ival against the Biters. One day, Alice spots a Biter disappearing into a hole in the ground and follows it, in search of fabled underground Biter bases.

What Alice discovers there propels her into an action-packed adventure that changes her life and that of all humans in the Deadland forever. An adventure where she learns the terrible conspiracy behind the ruin of humanity, the truth behind the origin of the Biters, and the prophecy the mysterious Biter Queen believes Alice is destined to fulfill.

A prophecy based on the charred remains of the last book in the Deadland- a book called Alice in Wonderland.

NOW AVAILABLE- THROUGH THE KILLING GLASS: ALICE IN DEADLAND BOOK II.

Learn more about the world of Alice in Deadland and engage with the author and other readers at the new Alice in Deadland Facebook Group. Go to facebook.com/groups/345795412099089.World War III's nuclear strikes on the U.S. have set the nation back 200 years; mon! ey holds no worth, food is impossible to find, and hope is all but lost when every survivor of the war is infected by a fatal nuclear plague. DEADLAND is a post-apocalyptic tale of an ordinary man, Sean Kalos, driven on only one purpose: to find his missing wife in the new United Provinces. What was designed to be the new rebirth has become martial-law, and the Officers of the Province wield their power with cruelty. When Sean crosses them, he finds himself in the middle of a personal war, and his search for his wife dominoes into what could be the revolution the survivors have been waiting for.

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Bratz: The Movie

• Attend the Stylesville Music Academy to learn the hottest Bratz songs to perform in fashion shows.
• Enhanced pet features - swap pets at anytime, find out your pet's mood, and collect different pet palaces for your pampered pet to live in.
• Play as all four Bratz girls (Cloe, Jade, Sasha and Yasmin) and experience character - specific adventures.
• Huge array of all-new hair styles, clothing lines, make-up, and accessories to choose from.
• Relive favourite episodes from the Bratz TV Series.

Fun-filled animated adventure features the baby "Bratz" Cloe, Sasha, Jade, and Yasmin as they experience how wild going to the mall can be when they try to rescue a dog belonging to their friends from a bullying petnapper. Along the way, they dive for coins in a fountain, participate in a karaoke contest and have the time of their young lives! 66 min. Standard; Soundtracks: Engli! sh Dolby Digital stereo, French Dolby Digital stereo, Spanish Dolby Digital stereo; Subtitles: English, Spanish.

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 102 minutes
Those funky diva dolls with cool clothes, big lips, and no noses make their animated debut in "Bratz: The Video: Starrin' & Stylin'" (2004), a stylish story that finds Bratz Yasmin, Sasha, Jade, and Cloe trying to complete a school assignment on self-expression and make their prom the hippest dance of the year. Three-disc set also includes "Bratz: Rock Angelz" and "Bratz: Genie Magic." 3 1/3 hrs. total. Widescreen; Soundtracks: English Dolby Digital stereo, French Dolby Digital stereo, Spanish Dolby Digital stereo; Subtitles: English, French, Spanish; bloopers; bonus "Bratz" episodes; deleted scenes; games; music videos; trivia; TV spot; more.

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 110 minutesIt's time for the Bratz girls to hit the red carpet! Join C! loe Jade Sasha and Yasmin as they rock out in explosive music shows strut the fashion runway with stylin' outfits designed by you and publish the hottest magazine ever! Their hard work lands them a once in a lifetime opportunity to star in their very own movie! Share their experience in the glitz and glamour of becoming real movie stars. ESRB Rated E for Everyone Format: PS2 Genre: CHILDREN Rating: RP UPC: 752919461181 Manufacturer No: 46118

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Dragon Hunters

• DRAGON HUNTERS - DVD (DVD MOVIE)

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 84 minutes


Features include:

•MPAA Rating: PG
•Format: Blu-Ray
•Runtime: 84 minutes
KAENA:PROPHECY - DVD Movie

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 80 minutes

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Gran Torino

• GRAN TORINO (DVD MOVIE)

A disgruntled Korean War vet, Walt Kowalski (Eastwood), sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.

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Braveheart [VHS]

• Braveheart [VHS]
• ASIN: 079213690X

A warrior marries secretly and leads a revolt against the tyrannical english king in 13th-century scotland. Oscars for best picture. Studio: Paramount Home Video Release Date: 05/18/2004 Starring: Mel Gibson James Robinson Run time: 177 minutes Rating: R Director: Mel GibsonMel Gibson's Oscar-winning 1995 Braveheart is an impassioned epic about William Wallace, the 13th-century Scottish leader of a popular revolt against England's tyrannical Edward I (Patrick McGoohan). Gibson cannily plays Wallace as a man trying to stay out of history's way until events force his hand, an attribute that instantly resonates with several of the actor's best-known roles, especially Mad Max. The subsequent camaraderie and courage Wallace shares in the field with fellow warriors is pure enough and inspiring enough to bring envy to a viewer, and even ! as things go wrong for Wallace in the second half, the film does not easily cave in to a somber tone. One of the most impressive elements is the originality with which Gibson films battle scenes, featuring hundreds of extras wielding medieval weapons. After Eisenstein's Alexander Nevsky, Orson Welles's Chimes at Midnight, and even Kenneth Branagh's Henry V, you might think there is little new that could be done in creating scenes of ancient combat; yet Gibson does it. --Tom Keogh Winner of five Academy Awards® including Best Picture, the exhilarating epic Braveheart is one of the most anticipated films on Blu-ray and continues to be beloved by fans and critics alike. The film will be presented in 1080p High Definition with English 5.1 Dolby TrueHD, French 5.1 Dolby Digital and Spanish 5.1 Dolby Digital and English, English SDH, French and Spanish subtitles. Among the more than two hours of new special features to be included on Brav! eheart are:


Mel Gibson's Oscar-winning ! 1995 Braveheart is an impassioned epic about William Wallace, the 13th-century Scottish leader of a popular revolt against England's tyrannical Edward I (Patrick McGoohan). Gibson cannily plays Wallace as a man trying to stay out of history's way until events force his hand, an attribute that instantly resonates with several of the actor's best-known roles, especially Mad Max. The subsequent camaraderie and courage Wallace shares in the field with fellow warriors is pure enough and inspiring enough to bring envy to a viewer, and even as things go wrong for Wallace in the second half, the film does not easily cave in to a somber tone. One of the most impressive elements is the originality with which Gibson films battle scenes, featuring hundreds of extras wielding medieval weapons. After Eisenstein's Alexander Nevsky, Orson Welles's Chimes at Midnight, and even Kenneth Branagh's Henry V, you might think there is little new that could be done in crea! ting scenes of ancient combat; yet Gibson does it. --Tom Keogh Mel Gibson directs and stars in this Academy Award-winning epic based on the life of legendary thirteenth century Scottish hero William Wallace. Returning to his homeland following the death of an heirless king, Wallace (Mel Gibson) finds the political landscape precarious. Edward the Longshanks, King of England (Patrick McGoohan), has captured Scotland's throne and threatens the freedom of all Scottish people, as tyrannical policies instituted by the English plague the Scots. Initially, Wallace is content to stand by the wayside, yearning for the simple life of building a home and raising a family. However, when the woman he loves (Catherine McCormack) suffers a cruel fate at the hands of English soldiers, Wallace takes a stand against the new rule. With his fierce patriotism and determination, he gathers an amateur but passionately rebellious army. Although this makeshift force may be outnumbered by the! English troops, their desperation and love for their land sur! pass any military maneuvers, as evidenced in the film's breathtaking battle sequences.Mel Gibson's Oscar-winning 1995 Braveheart is an impassioned epic about William Wallace, the 13th-century Scottish leader of a popular revolt against England's tyrannical Edward I (Patrick McGoohan). Gibson cannily plays Wallace as a man trying to stay out of history's way until events force his hand, an attribute that instantly resonates with several of the actor's best-known roles, especially Mad Max. The subsequent camaraderie and courage Wallace shares in the field with fellow warriors is pure enough and inspiring enough to bring envy to a viewer, and even as things go wrong for Wallace in the second half, the film does not easily cave in to a somber tone. One of the most impressive elements is the originality with which Gibson films battle scenes, featuring hundreds of extras wielding medieval weapons. After Eisenstein's Alexander Nevsky, Orson Welles's Chimes at Midnig! ht, and even Kenneth Branagh's Henry V, you might think there is little new that could be done in creating scenes of ancient combat; yet Gibson does it. --Tom Keogh Braveheart
In an emotionally charged performance, Gibson is William Wallace, a bold Scotsman who uses the steel of his sword and the fire of his intellect to rally his countrymen to liberation from the English occupation of Scotland. Winner of five Oscars® -- Best Picture of 1995, Best Director (Gibson), Best Cinematography, Best Makeup and Best Sound Effects Editing -- Braveheart is "the most sumptuous and involving historical epic since Lawrence of Arabia" (Rod Lurie, Los Angeles Magazine).

Gladiator
A man robbed of his name and his dignity strives to win them back, and gain the freedom of his people, in this epic historical drama from director Ridley Scott. In the year 180, the death of empero! r Marcus Aurelius (Richard Harris) throws the Roman Empire in! to chaos . Maximus (Russell Crowe) is one of the Roman army's most capable and trusted generals and a key advisor to the emperor. As Marcus' devious son Commodus (Joaquin Phoenix) ascends to the throne, Maximus is set to be executed. He escapes, but is captured by slave traders. Renamed Spaniard and forced to become a gladiator, Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills serve him well, and he becomes one of the most famous and admired men to fight in the Colosseum. Determined to avenge himself against the man who took away his freedom and laid waste to his family, Maximus believes that he can use his fame and skill in the ring to avenge the loss of his family and former glory. As the gladiator begins to challenge his rule, Commodus decides to put his own fighting mettle to the test by squaring off with Maximus in a battle to the death. Gladiator also features Derek Jacobi, Connie Nielsen, Djimon Hounsou, and! Oliver Reed, who died of a heart attack midway through production.Braveheart
A stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have s! een it, both for its visual beauty and for its powerful story.! --R ochelle O'Gorman

Gladiator
A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean d! ialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his l! egendary status. Hail the conquering hero! --Mark Englehar! t < br />
Director Ridley Scott’s triumphant Gladiator is an unparalleled combination of vivid action and extraordinary storytelling that earned five Oscars® including Best Picture. The Blu-ray presentation will include both the original theatrical version of the film as well as the extended version in 1080p High Definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital and Spanish 5.1 Dolby Digital, as well as English, English SDH, French, Spanish and Korean subtitles. The two-disc set also will feature over four hours of bonus material.

A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glor! y that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with a! uthority, whether he's damning Maximus's popularity with the R! oman mob s or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart

Stills from Gladiator (Click for larger image)

This 2pk contains two of the best Epic movies of all time. Mel Gibson stars on both sides of the camera in Braveheart, playing the lead role plus directing and producing this brawling, richly detailed saga of fierce combat, tender love and the will to risk all that's precious for something more precious: freedom. In Gladiator, Maximus (Russell Crowe) is a powe! rful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge.Braveheart
Mel Gibson's Oscar-winning 1995 Braveheart is an impassioned epic about William Wallace, the 13th-century Scottish leader of a popular revolt against England's tyrannical Edward I (Patrick McGoohan). Gibson cannily plays Wallace as a man trying to stay out of history's way until events force his hand, an attribute that instantly resonates with several of the actor's best-known roles, especially Mad Max. The sub! sequent camaraderie and courage Wallace shares in the field wi! th fello w warriors is pure enough and inspiring enough to bring envy to a viewer, and even as things go wrong for Wallace in the second half, the film does not easily cave in to a somber tone. One of the most impressive elements is the originality with which Gibson films battle scenes, featuring hundreds of extras wielding medieval weapons. After Eisenstein's Alexander Nevsky, Orson Welles's Chimes at Midnight, and even Kenneth Branagh's Henry V, you might think there is little new that could be done in creating scenes of ancient combat; yet Gibson does it. --Tom Keogh

Gladiator
A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that ! will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin! Phoenix chews scenery with authority, whether he's damning Ma! ximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark EnglehartBraveheart [VHS] (1995) Mel Gibson (Actor), Sophie Marceau (Actor), Mel GibsonA stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerf! ul story. --Rochelle O'Gorman

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High Crimes

• full length audio commentary by the director
• 6 never before seen featurettes
• original theatrical trailer

Ashley Judd stars as Claire Kubik, a high-powered attorney whose perfect life comes down when her husband is charged with high crimes of murder. Enlisting the aid of a shrewd military lawyer (Morgan Freeman), Claire will risk her career and even her life to find the truth in this "head-snapping thriller" (Milwaukee Journal Sentinel).A welcomed reunion of Kiss the Girls costars Ashley Judd and Morgan Freeman makes High Crimes a worthwhile thriller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Caviezel) is accu! sed of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implicates a powerful Brigadier General (Bruce Davison), but when Judd hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance. --Jeff Shannon

"The perfect follow-up to Krakauer's riveting account of a perfect storm."
--Miami Herald

"Kodas's absorbing description of the narrow moral compass governing human interaction at the top of the world is bound to shock both armchair adventurers and seasoned mountaineers."
--Chicago Tribune

"(Kodas) discovered more deceit, thievery,! and double-crossing among his climbers than you find in a Mar! tin Scor sese gangster film. High Crimes is both an adventure story and an exposé of a sport riddled with danger and corruption."
--Washington Post Book World

"Kodas's descriptions of the struggles confronting even the best-prepared climbers leave the reader breathless."
--Dallas Morning News

"[High Crimes] is hair-raising and lays bare the excitement and fear that face great explorers at the top of the world. . . . Well written, and as deftly plotted as the finest mystery novel, Kodas brings to life a disturbing picture of society at high altitude."
--Austin Chronicle

"Kodas does an excellent job exposing the ways in which money and ego have corrupted the traditional cultures of both mountaineers and their Sherpa guides. . . . His narrative is as hard to turn away from as a slow-motion train wreck."
--Publishers Weekly

High Crimes is journalist Michael Kodas's gripping acco! unt of life on top of the world--where man is every bit as deadly as Mother Nature.

Ashley Judd stars as Claire Kubik, a high-powered attorney whose perfect life comes down when her husband is charged with high crimes of murder. Enlisting the aid of a shrewd military lawyer (Morgan Freeman), Claire will risk her career and even her life to find the truth in this "head-snapping thriller" (Milwaukee Journal Sentinel).A welcomed reunion of Kiss the Girls costars Ashley Judd and Morgan Freeman makes High Crimes a worthwhile thriller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Caviezel) is accused of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implica! tes a powerful Brigadier General (Bruce Davison), but when Jud! d hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance. --Jeff Shannon

Meet Claire Heller Chapman. A criminal defense attorney who’s made a name for herself by taking onâ€"and winningâ€"the toughest cases, Claire still manages to have a relatively calm life as a Harvard Law School professor, devoted wife, and proud mother to six-year-old Annie. Until one night, when the family is out having dinner, a team of government agents bursts onto the scene…heading straight for Claire’s husband.

Tom Chapman has been arrested for an atrocious crime he swears he did not commit. Claire is desperate to believe himâ€"and prove his! innocenceâ€"even when she learns that Tom once had a different name. And a different face. Now, in a top-secret court-martial conducted by the Pentagon, Claire will put everything on the line to defend the man she loves. But as the evidence keeps piling up, the less she knows who her husband really is…and the more he appears to be a cold-blooded murderer.

When (not if---the deal has already been signed) this terrific thriller gets made into a movie, you might see Morgan Freeman as a crusty lawyer who specializes in taking on the military establishment tell the actress playing ace Boston barrister and Harvard Law professor Claire Heller Chapman, "Every civilian who's ever gone into a military general court-martial and tried to attack the foundations of the military has lost his case. No exceptions. The military is a tight, closed fraternity. They take it real serious. Military justice is a deadly serious business." Claire has to ! realize this as she prepares to defend her husband--the ma! n she kn ows as Tom Chapman, but who the Army says is Ron Kubik-- on charges that he took part in a massacre of 87 civilians in San Salvador 13 years before. Full of doubts about Tom's innocence and her own ability to prove it in an unfamiliar arena, Claire is brought to exciting, moving life by the extravagantly gifted Joseph Finder, whose previous thrillers (Extraordinary Powers, The Zero Hour) are available in paperback.
Genre: Drama
Rating: PG13
Release Date: 1-SEP-2009
Media Type: Blu-RayA welcomed reunion of Kiss the Girls costars Ashley Judd and Morgan Freeman makes High Crimes a worthwhile thriller with vivid, likable characters. Efficiently directed by Carl Franklin, this military mystery doesn't have the unpredictable edginess of Franklin's Devil in a Blue Dress, but its twisting plot is sure to hold anyone's attention. Judd plays a successful, happily married lawyer whose husband (Jim Ca! viezel) is accused of killing innocent citizens during his military service in El Salvador some 13 years earlier. A cover-up implicates a powerful Brigadier General (Bruce Davison), but when Judd hires a maverick attorney (Freeman), Judd is caught in a potentially lethal trap of threats and deception. Attentive viewers will stay ahead of the action, and alleged villains are posed as obvious decoys. Still, Judd and Freeman have an appealing rapport (shared with Amanda Peet, playing Judd's vivacious sister), and Freeman's character flaws add worldly spice to yet another rich performance. --Jeff Shannon

Meet Claire Heller Chapman. A criminal defense attorney who’s made a name for herself by taking onâ€"and winningâ€"the toughest cases, Claire still manages to have a relatively calm life as a Harvard Law School professor, devoted wife, and proud mother to six-year-old Annie. Until one night, when the family is out having dinner, a team of government agents ! bursts onto the scene…heading straight for Claire’s husban! d.

Tom Chapman has been arrested for an atrocious crime he swears he did not commit. Claire is desperate to believe himâ€"and prove his innocenceâ€"even when she learns that Tom once had a different name. And a different face. Now, in a top-secret court-martial conducted by the Pentagon, Claire will put everything on the line to defend the man she loves. But as the evidence keeps piling up, the less she knows who her husband really is…and the more he appears to be a cold-blooded murderer.

When (not if---the deal has already been signed) this terrific thriller gets made into a movie, you might see Morgan Freeman as a crusty lawyer who specializes in taking on the military establishment tell the actress playing ace Boston barrister and Harvard Law professor Claire Heller Chapman, "Every civilian who's ever gone into a military general court-martial and tried to attack the foundations of the military has lost his case. No exceptions. The m! ilitary is a tight, closed fraternity. They take it real serious. Military justice is a deadly serious business." Claire has to realize this as she prepares to defend her husband--the man she knows as Tom Chapman, but who the Army says is Ron Kubik-- on charges that he took part in a massacre of 87 civilians in San Salvador 13 years before. Full of doubts about Tom's innocence and her own ability to prove it in an unfamiliar arena, Claire is brought to exciting, moving life by the extravagantly gifted Joseph Finder, whose previous thrillers (Extraordinary Powers, The Zero Hour) are available in paperback.

Meet Claire Heller Chapman. A criminal defense attorney who’s made a name for herself by taking onâ€"and winningâ€"the toughest cases, Claire still manages to have a relatively calm life as a Harvard Law School professor, devoted wife, and proud mother to six-year-old Annie. Until one night, when the family is out having dinn! er, a team of government agents bursts onto the scene…headin! g straig ht for Claire’s husband.

Tom Chapman has been arrested for an atrocious crime he swears he did not commit. Claire is desperate to believe himâ€"and prove his innocenceâ€"even when she learns that Tom once had a different name. And a different face. Now, in a top-secret court-martial conducted by the Pentagon, Claire will put everything on the line to defend the man she loves. But as the evidence keeps piling up, the less she knows who her husband really is…and the more he appears to be a cold-blooded murderer.

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Away From Her : Widescreen Edition

• Widescreen

Married for almost 50 years, Grant's (Gordon Pinsent) and Fiona's (Julie Christie) commitment to each other appears unwavering. Their daily life is filled with tenderness and humor; yet this serenity is broken by Fiona's increasingly evident memory loss - and her restrained references to a past betrayal. For a while, the couple is able to casually dismiss these unwelcome changes. But when neither Fiona nor her husband can deny any longer that she is being consumed by Alzheimer's disease, the couple is forced to wrenchingly redefine the limits of their love and loyalty - and face the complex, inevitable transition from lovers to strangers."I'm going," says a lovely, understated Julie Christie, in a heart-wrenching moment of recognition that Alzheimer's is slowly descending on her. "But I'm not gone." Away from Her, the directorial debut of young Canadian actress Sarah Polle! y, allows two themes--the growth of love, and the limits of the mind--to intertwine, uplift, fall, and rise again, throughout its arc. What should be relentlessly depressing is instead a film of great courage, humor, defiance--and a quality that Christie's character, Fiona, calls out in another defining moment: grace.

Away from Her chronicles a love story between Fiona and her longtime husband, Grant, played with bearlike stolidity by Gordon Pinsett, as the couple struggle with the onset and acceleration of Fiona's Alzheimer's disease. Moments of lucidity and wry observation pepper Fiona's decline, and Christie gives an unforgettable performance as a woman who is both ordinary and singular to those whom she's touched. The story is set against a frigid Canadian winter, with fields of snow as a background underscoring the bleakness of Fiona's diagnosis; yet life is constant and surprising, in the call of a meadowlark or the resurrected memory of a skunk lily. A sc! ene of Fiona out for her daily cross-country ski shows Christi! e's gorg eous, sensual face in closeup against the snow, framed by a babushka, reminding the viewer of a similar scene of the decades-younger Christie in Dr. Zhivago. It's impossible not to be touched by the gifts of this extraordinary actress, through the life of this everywoman, whose very presence is shot through with grace. --A.T Hurleydvd

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BUCKY LARSON BORN TO BE A STAR 11X17 PROMO MOVIE POSTER

• 11x17 inches (approximate dimensions as it may vary by a half inch or so).
• Poster is single sided.
• This poster is an authentic original movie theater poster issued by the studio.
• Great size for framing.
• Makes a great gift!

Bucky [Nick Swarsdon] is a small town grocery bagger, going nowhere in life until he discovers that his conservative parents were once adult film stars! Armed with the belief that he has found his destiny, Bucky packs up and heads out to LA, hoping to follow in his parents footsteps. Also starring Christina Ricci, Don Johnson and Stephen Dorff. It's an odd state of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, whi! ch comes from Adam Sandler's production company and has a script cowritten by Sandler, plus a cast of eminently accomplished actors who either didn't know they were slumming it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a giant mutated gopher. He's an Iowa farm boy with hayseeds permanently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him bo! rn to a lineage despite his crazy look, crazy talk, and crazy ! brain. T he other obstacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his massive under-equipment and contingent hair trigger gain him exactly the kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dorff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson ! if they're able to even start in on it (a scene involving "stolen" food and Bucky's psychotic roommate Kevin Nealon is definitely a laugh riot), but it's likely that this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryBucky [Nick Swarsdon] is a small town grocery bagger, going nowhere in life until he discovers that his conservative parents were once adult film stars! Armed with the belief that he has found his destiny, Bucky packs up and heads out to LA, hoping to follow in his parents footsteps. Also starring Christina Ricci, Don Johnson and Stephen Dorff. It's an odd state of affairs when a movie carries a relatively strong creative pedigree and yet seems to have been brushed aside by the creators as if they knew full well how savagely it would be received by critics and audiences alike. Such is the case with Bucky Larson: Born to Be a Star, which comes fr! om Adam Sandler's production company and has a script cowritte! n by San dler, plus a cast of eminently accomplished actors who either didn't know they were slumming it in a stupid, raunchy comedy, or for some reason didn't care. That said, just because it's stupid and raunchy (which it really is), there are germs of redeeming tidbits in Bucky Larson, including the above-mentioned performers along with the shear depth of its stupidity and raunch. Nick Swardson, a longtime Sandler cohort and a very funny presence in his many other movie and TV appearances, plays the title character under a ridiculous bowl haircut and behind a pair of front teeth that seem ripped from the jaws of a giant mutated gopher. He's an Iowa farm boy with hayseeds permanently stuck in those choppers. He knows nothin' from nothin', but vows to make it as a modern-day porn star after a weirdo TV party gives him evidence that his parents were industry icons in the 1970s, thus making him born to a lineage despite his crazy look, crazy talk, and crazy brain. The other obs! tacle he faces is a piece of fleshy manhood that's, well, a little on the small side, to put it mildly. In a sequence of events so stupid and raunchy that they do have the necessary ingredients for some measure of possibly drunken hilarity, it turns out that his massive under-equipment and contingent hair trigger gain him exactly the kind of stardom he knew he was born to (his shortcomings make other men feel better about themselves). It seems kind of silly to lament that everyone involved didn't make more of an effort to put Bucky Larson in a higher class since everything about it is so utterly low class. But with a cast that includes Edward Herrmann (Bucky's dad), Stephen Dorff (a rival porn star), Christina Ricci (Bucky's forlorn girlfriend), Don Johnson (a washed-up porn director), and the talented Swardson himself, it feels like the sloppiness of the whole affair is just plain lazy. People will find some genuinely funny moments in Bucky Larson if they're ! able to even start in on it (a scene involving "stolen" food a! nd Bucky 's psychotic roommate Kevin Nealon is definitely a laugh riot), but it's likely that this movie will only find life in the home market of a select few who revel in the underdog nature of a particular brand of cinematic stupidity. --Ted FryAll Movie posters are original, approx size is 27 x40 inches, sometimes the size vary up to 1/2 inch. Its on mint condition, no tears or rips or holes in the poster and it never been hung or displayed. Posters to be send thru USPS priority mailPoster will be rolled in a plastic sleeve and then shipped inside a double walled box for protection.

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Homz Kidz 2-Pack Girls Over-the-Door Hooks

• General purpose storage set ideal for any room at home
• Comes with non-slip grips
• Grip protects door surface and holds rack in place
• Comes in a bright 2-toned pink perfect for little girl's room

All those boob lovers, this book (album) is for you. See the girls with the most beautiful, busty, huge breasts. I've put Six editions. See them all

This books has been published for people who love woman's breast, and always wanted to see different girls who have the most beautiful assets!

Check out all the editions for complete fun !!!!!!!!!!All those boob lovers, this book (album) is for you. See the girls with the most beautiful, busty, huge breasts. I've put Six editions. See them all

This books has been published for people who love woman's breast, and always wanted to see different girls who have the most beautiful assets!

Check out a! ll the editions for complete fun !!!!!!!!!!Great general use hooks for any room of the home. In a bright two-toned pink to coordinate with any little girl's room. Comes with additional grip that protects door surface and holds rack in place.

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Falling Down

• Condition: New
• Format: DVD
• Widescreen; Closed-captioned; Color; Dolby; DVD; NTSC

A man who has lost his job and his marriage takes a walk through the troubled urban landscape of Los Angeles on a hot, destructive day, with a retiring police officer trying to anticipate the next stop.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-FEB-2005
Media Type: DVDThis film, about a downsized engineer (Michael Douglas) who goes ballistic, triggered a media avalanche of stories about middle-class white rage when it was released in 1993. In fact, it's nothing more than a manipulative, violent melodrama about one geek's meltdown. Douglas, complete with pocket protector, nerd glasses, crewcut, and short-sleeved white shirt, gets stuck in traffic one day near downtown L.A. and proceeds to just walk away from his car--and then lose it emotionally. Ev! eryone he encounters rubs him the wrong way--and a fine lot of stereotypes they are, from threatening ghetto punks to rude convenience store owners to a creepy white supremacist--and he reacts violently in every case. As he walks across L.A. (now there's a concept), cutting a bloody swath, he's being tracked by a cop on the verge of retirement (Robert Duvall). He also spends time on the phone with his frightened ex-wife (Barbara Hershey). Though Douglas and Duvall give stellar performances, they can't disguise the fact that, as usual, this is another film from director Joel Schumacher that is about surface and sensation, rather than actual substance. --Marshall Fine

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Flightplan (Widescreen Edition)

• DVD Details: Actors: Jodie Foster, Peter Sarsgaard, Sean Bean, Robert Schwentke, Alec Hammond
• Directors: Robert Schwentke, Karen Inwood Somers
• Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Buena Vista Home Entertainment / Touchstone
• DVD Release Date: January 24, 2006; Run Time: 98 minutes

Academy Award(R) winner Jodie Foster (Best Actress, THE SILENCE OF THE LAMBS, 1991) gives an outstanding performance in the heart-pumping action thriller FLIGHTPLAN. Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's (Foster) 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter! . From the producer of APOLLO 13 and A BEAUTIFUL MIND, FLIGHTPLAN is an intense, suspense-filled thriller that will keep you on the edge of your seat the entire flight.Like a lot of stylishly persuasive thrillers, Flightplan is more fun to watch than it is to think about. There's much to admire in this hermetically sealed mystery, in which a propulsion engineer and grieving widow (Jodie Foster) takes her 6-year-old daughter (and a coffin containing her husband's body) on a transatlantic flight aboard a brand-new jumbo jet she helped design, and faces a mother's worst nightmare when her daughter (Marlene Lawston) goes missing. But how can that be? Is she delusional? Are the flight crew, the captain (Sean Bean) and a seemingly sympathetic sky marshal (Peter Sarsgaard) playing out some kind of conspiratorial abduction? In making his first English-language feature, German director Robert Schwentke milks the mother's dilemma for all it's worth, and Foster's intense yet su! btly nuanced performance (which builds on a fair amount of pos! t-9/11 p aranoia) encompasses all the shifting emotions required to grab and hold your attention. Alas, this upgraded riff on Hitchcock's The Lady Vanishes (not to mention Otto Preminger's Bunny Lake is Missing) is ultimately too preposterous to hold itself together. Flightplan gives us a dazzling tour of the jumbo jet's high-tech innards, and its suspense is intelligently maintained all the way through to a cathartic conclusion, but the plot-heavy mechanics break down under scrutiny. Your best bet is to fasten your seatbelt and enjoy the thrills on a purely emotional level -- a strategy that worked equally well with Panic Room, Foster's previous thriller about a mother and daughter in peril. --Jeff Shannon

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FELICIA'S JOURNEY ORIGINAL MOVIE POSTER

• VIDEO 27X41 NEW
• DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
• SIZE: Approx 27x40 inches unless otherwise stated.

Young, pregnant, unmarried, and penniless, Felicia leaves her Irish hometown to search for her boyfriend in the English Midlands, only to fall in with the obese, fiftyish Mr. Hilditch, in a tale of psychological suspense. Reprint. Winner of the Whitbread Fiction & Sunday Express Prizes. NYT. Felicia's Journey is a simple tale told with a subtle complexity. Felicia is an Irish country girl who has come to England to look for her jilted lover. Hilditch is a mild-mannered, gentle psychopath who lures the helpless Felicia into his trap. Interestingly, we see the story from each character's eyes when they are separate, but from Hilditch's view when they are together. It is an unusual and ef! fective device that distorts the perspective and adds texture to a classic story. Trevor won a Whitbread Prize in 1994 for Felicia's Journey.A moving and chilling portrait of a serial killer who befriends innocent young women in need only to turn them into his victims. Felicia is the latest of his prospects to fall into the grasp of his deceptive charm. Special features: commentary with director atom egoyan theatrical trailer and much more. Studio: Lions Gate Home Ent. Release Date: 05/22/2007 Starring: Bob Hoskins Elaine Cassidy Run time: 111 minutes Rating: Pg13 Director: Atom EgoyanLike Hitchcock, Atom Egoyan envisions family life as a potential hotbed of literal or figurative violence and incest. In Felicia's Journey, Egoyan's adaptation of William Trevor's shattering novel, one dreads to imagine what TV-cook mom (Arsinée Khanjian) did to so damage her pudgy son that grown- up Hilditch (Bob Hoskins) still prepares meals in perfect unison with ! faded videotapes of her show--and, as we eventually discover,! often t akes more sinister trips down Memory Lane. Distant kin to Psycho's Tony Perkins, Hoskins's troll is so obsessive, so traumatized, his every short-armed, fat-handed gesture and sing-song utterance is precisely calculated to keep reality safely buried.

Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coincides with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penn! y ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen Murphy

In January of 2010, a wide-eyed English grad went from peddling software in NYC to understudying the lead role in Wicked the musical -- her first professional theater gig (ever). Unnaturally Green is the humorous account of the entire journey, from her pit-stain-filled audition to the bittersweet closing night.

Author Felicia Ricci wears her heart on her sleeve as she tackles the role of Elphaba, Wicked's green-skinned heroine. She leaps countless hurdles, both professional and personal: conquering the "Songs of Death," weathering a trans-continental "Week I Di! dn't Poop," enduring the artistic limbo of understudying, and ! -- worst of all! -- meeting the man of her dreams. And all the while learning, time and again, what it means to be "green."

Hop into the mind of an over-sharer as she discovers Broadway's Man Behind the Curtain -- and the thrill and terror of personal growth.

Danna offers a strange experiment on this score to Atom Egoyan's wistful and sinister film. He combines his familiar Celtic dirges, the nail-grating violins associated with Bartók, and some scattered traces of evil, backward-looping noises. Danna also (probably inadvertently) forges an under-explored link between New Age and the easy-listening style once referred to as "Beautiful Music." Oddly, the most intriguing elements are the reverberant Mantovani-style strings, none of which is Danna's own creation. He instead takes them directly from old and uncredited archival library recordings. Still, there are some interesting moments, as heavenly and sentimental moods fuse with the dark and! foreboding. Included are two songs by crooner Malcolm Vaughan and a brief a-capella rendition of "My Special Angel" by the film's star, Bob Hoskins (!). --Joseph Lanza Felicia's Journey explores the 1999 film adaptation by Director, Atom Egoyan, of Irish writer William Trevor's novel of 1994.

Issues addressed include Hitchcockian influences, the sense of place in the visual discourse, and the characterization of the serial killer Hilditch, as constructed initially by Trevor and interpreted by Egoyan. Eschewing a crude "fidelity" model of adaptation, the study explores Egoyan's screen version as a commentary on, or significant reworking of, the original book. In particular, Egoyan's extension of the mother figure, through his creation of Gala, opens questions about memory, representation, and cinema's capacity as a reflexive medium which is a central feature of his film art.PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original an! d classic high quality reproduction movie posters. Movie poste! r art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.

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SOG Specialty Knives and Tools AU01-N Aura Camping

• Sharpener hidden in the handle
• 6-Inch straight edge 7Cr13 stainless steel blade
• Kraton rubber over molded handle with removable diamond sharpener
• Includes nylon sheath
• Overall length: 10.95-Inches; Weight: 8.6-Pounds

The city of Ymeer is crawling with all manner of lowlifes and rogues. Among these, Gribly the thief is considered to be a rising force of destiny: he always wins, always gets what he wants, and never, ever gets caught.

Most people think it's skill, and some think it's just dumb luck... but everyone is wrong. Gribly has a talent that no one knows about- not even the old gypsy who raised him. It's because of this talent that he's so good at burglary, and he makes sure no one knows his secret. Should it ever become known, he knows, his life would be imperiled...

The Dunelord, ruler of Ymeer, will brook no equals. Gribly's talen! t makes him an equal, and that makes him a threat. This boy can control the power of sand... but even in a city built from it, that may not be enough.

Into the scene stumbles a mysterious young messenger named Lauro. When Gribly finds him dying from exhaustion outside the city gates, Lauro claims he bears a message from Larion, King of Vastion in the south, to the Dunelord. Helping Lauro could be Gribly's way out of trouble... but do messengers carry royal swords? Do they control the power of the winds?

Both lads soon realize the other has something to hide, but neither one knows the titanic role they will play in the world-shaking events that will soon grip Ymeer... and the entire continent of Vast.

Become a legend... or die trying.The city of Ymeer is crawling with all manner of lowlifes and rogues. Among these, Gribly the thief is considered to be a rising force of destiny: he always wins, always gets what he wants, and never, ever gets c! aught.

Most people think it's skill, and some think it! 's just dumb luck... but everyone is wrong. Gribly has a talent that no one knows about- not even the old gypsy who raised him. It's because of this talent that he's so good at burglary, and he makes sure no one knows his secret. Should it ever become known, he knows, his life would be imperiled...

The Dunelord, ruler of Ymeer, will brook no equals. Gribly's talent makes him an equal, and that makes him a threat. This boy can control the power of sand... but even in a city built from it, that may not be enough.

Into the scene stumbles a mysterious young messenger named Lauro. When Gribly finds him dying from exhaustion outside the city gates, Lauro claims he bears a message from Larion, King of Vastion in the south, to the Dunelord. Helping Lauro could be Gribly's way out of trouble... but do messengers carry royal swords? Do they control the power of the winds?

Both lads soon realize the other has something to hide, but neither one knows the titanic role they ! will play in the world-shaking events that will soon grip Ymeer... and the entire continent of Vast.

Become a legend... or die trying.Gribly is trying as hard as he can to rid himself of the stigma of "thief." At his side is Lauro, who seems equally ashamed of his own title: "prince." But try as they might, the two can't shake their roots...

Pursued to the great northern bay of the Inkwell, the ragged band is harried on every side by unearthly enemies who seem to find them wherever they flee. As the death toll rises, Lauro seeks help from the three tribes of nymphkind living in the bay: the Zain, who sail over the waves, the Treele, who swim beneath, and the Reethe, who conjure blizzards to aid their army. But can any mortal stand against the tide that comes?

Demons are waking at the core of the world. Man and nymph together grow weaker as time goes on, and the guiding spirit of the Aura is nowhere to be found... except in a curiously powerful n! ymph girl named Elia, who may hold the key to Gribly's quest f! or answe rs and Lauro's quest for glory. But she is being hunted just as they, and time is rapidly running out for all the races of Vast...

Legends will be forged... or the world will fall to everlasting winter.Gribly is trying as hard as he can to rid himself of the stigma of "thief." At his side is Lauro, who seems equally ashamed of his own title: "prince." But try as they might, the two can't shake their roots...

Pursued to the great northern bay of the Inkwell, the ragged band is harried on every side by unearthly enemies who seem to find them wherever they flee. As the death toll rises, Lauro seeks help from the three tribes of nymphkind living in the bay: the Zain, who sail over the waves, the Treele, who swim beneath, and the Reethe, who conjure blizzards to aid their army. But can any mortal stand against the tide that comes?

Demons are waking at the core of the world. Man and nymph together grow weaker as time goes on, and the guiding spirit of the ! Aura is nowhere to be found... except in a curiously powerful nymph girl named Elia, who may hold the key to Gribly's quest for answers and Lauro's quest for glory. But she is being hunted just as they, and time is rapidly running out for all the races of Vast...

Legends will be forged... or the world will fall to everlasting winter.Gribly is too tired to fight. After his battle with the Sea Demon, all he wants to do is rest, enjoy the hospitality of the Reethe, and perhaps even nurture a budding romance with Elia. But all his hopes are dashed when Lauro disappears; festering with a hateful secret he refuses to share with his friends. So it is reluctantly that Gribly resumes the role of prophet, placed on him unwillingly by the Aura, and goes after the errant prince. Now, though, there is no one to lead but himself...

Negotiating an deal with his old ally, retired pirate Bernarl of the Zain, Gribly sets off with Elia in tow to bring Lauro back, in chains i! f need be. The journey will take them to the Grymclaw, a bleak! norther n peninsula where one of the Aura is rumored to live... but some of the rumors say he is held captive by a dark power older than time itself.

Gribly is destined to learn his past... but he may not be able to take the truth.

Elia is destined to unite her race... but she may not survive the quest.

Lauro is destined to save the world... but when he learns the price of salvation, he may not want it.

And forgotten by all, Gramling, the young Pit Strider who has plagued them from the beginning, is on the loose once more. This time, he may not be stopped. This time, he won't be seen until it's too late.

This time, the legend that may be remembered... will be the legend too grim to tell.Gribly is too tired to fight. After his battle with the Sea Demon, all he wants to do is rest, enjoy the hospitality of the Reethe, and perhaps even nurture a budding romance with Elia. But all his hopes are dashed when Lauro disappears; festerin! g with a hateful secret he refuses to share with his friends. So it is reluctantly that Gribly resumes the role of prophet, placed on him unwillingly by the Aura, and goes after the errant prince. Now, though, there is no one to lead but himself...

Negotiating an deal with his old ally, retired pirate Bernarl of the Zain, Gribly sets off with Elia in tow to bring Lauro back, in chains if need be. The journey will take them to the Grymclaw, a bleak northern peninsula where one of the Aura is rumored to live... but some of the rumors say he is held captive by a dark power older than time itself.

Gribly is destined to learn his past... but he may not be able to take the truth.

Elia is destined to unite her race... but she may not survive the quest.

Lauro is destined to save the world... but when he learns the price of salvation, he may not want it.

And forgotten by all, Gramling, the young Pit Strider who has plagued them from the beginning, ! is on the loose once more. This time, he may not be stopped. T! his time , he won't be seen until it's too late.

This time, the legend that may be remembered... will be the legend too grim to tell.The stage is set. The First Act has ended. The deadly game has begun at last.

Elia, the Halanyad, destined to unite all nymphkind, has been captured. Gribly, the Prophet, has left his destiny behind in order to have one last, desperate chance at saving her.

Now Lauro, the disgraced prince of Vastion, is the only hero left. It will be up to him to traverse the hazards of the Blackwood and Fellmere in search of the Red Aura, Automo, who may hold the only weapon capable of sending the archdemons of the Legion back to the gates of Hell… forever.

A half-blood princess with unheard of abilities. An easy-going ranger with a mysterious weapon. A fire-breathing monster who may or may not be an ally. A one-handed Windmaster with prodigious Sky Striding power. Will their aid be enough to bring Vastion to victory? Will Lau! ro ever find redemption?

The old legends have died… A new legend is rising, and it is written in blood.
The stage is set. The First Act has ended. The deadly game has begun at last.

Elia, the Halanyad, destined to unite all nymphkind, has been captured. Gribly, the Prophet, has left his destiny behind in order to have one last, desperate chance at saving her.

Now Lauro, the disgraced prince of Vastion, is the only hero left. It will be up to him to traverse the hazards of the Blackwood and Fellmere in search of the Red Aura, Automo, who may hold the only weapon capable of sending the archdemons of the Legion back to the gates of Hell… forever.

A half-blood princess with unheard of abilities. An easy-going ranger with a mysterious weapon. A fire-breathing monster who may or may not be an ally. A one-handed Windmaster with prodigious Sky Striding power. Will their aid be enough to bring Vastion to victory? Will Lauro ever find redempt! ion?

The old legends have died… A new legend is risin! g, and i t is written in blood.
SOG AU - 01 Aura Camping Knife. All - purpose outdoor blade comes in handy more than you'd think. The Aura line of Knives is a special breed... it's a fusion of lightweight, safe-use design and the original Bowie knife. All that research resulted in this fabulous fixed blade. Handles like a charm with Zytel, rubber and glass-reinforced polymer for unbeatable, non-slip comfort whenever you wield this tool. And if the durable, partially-serrated blade needs a little touch-up, there's an unscrew-able sharpener on the back of the handle. Yup, they thought of everything. Details: Made with tough 7Cr13 stainless steel with black TiNi finish; Nylon sheath included; HRC: 54-56; Measures 10.95" long open, blade is 6" long x .16" thick. Weighs 8.6 oz.; Order this bad boy today! WARNING: You must be 18 or older to purchase Cutlery. Cutlery cannot be shipped to Marin, Napa, Ventura and Yolo counties, CA; CO; CT; TN; D.C.; MA or Puerto Rico. Please check your St! ate, County and City laws for restrictions before ordering Cutlery. SOG AU-01 Aura Camping KnifeShowcasing the ingenuity and attention to detail that you've come to expect from SOG, the AU-01 Aura Fixed-Blade Camping Knife is sophisticated, versatile, and easy to handle. Featuring a full-size stainless steel blade and an ergonomic, nonslip grip, this tough, lightweight knife won't weigh you down on long treks or make you compromise on performance. It even includes a field-friendly sharpener hidden inside the handle.

AU-01 Aura Fixed-Blade Camping Knife A! t a Glan ce: 6-inch straight-edge stainless steel blade Ergonomic, non-slip rubber overmolding on handle Tough, lightweight Zytel handle construction Includes nylon sheath and diamond sharpener stored in handle Lifetime warranty backing materials and workmanship

The SOG AU-01 features a sharpener conveniently stored in the back of the knife's handle. View larger.

The Aura is ergonomically designed for a sure grip in either the right or left hand. View larger.

Strong, Fixed Blade Configuration Handles Tough Tasks
Sometimes even the best-made pocket knife just isn't big enough cut it out in the brush. That's where the AU-01 comes in. Thanks to a six-inch straight-edge blade and an overall length of 10.95 inches that lets you maximize leverage while maintaining a comfortable full-hand grip, this fixed-blade knife makes quick work of even the toughest campsite and trailside tasks, and it's so versatile that you may just find yourself reaching for it at home too. Its blade is crafted from 7Cr13 stainless steel for an optimal balance of value, durability, and edge retention.

Portabl! e, Ergonomic Design Ensures Easy, Comfortable Use
In de! signing the Aura line, SOG studied the original bowie knife created by Rezin Bowie in 1838 and brought the best of that traditional design to this contemporary knife by maximizing utility, ergonomics, and safety. For the type of sure grip that leads to safe, accurate cuts, this Aura knife's handle combines the comfort and the nonslip properties of a rubber overmolding with a tough body crafted from glass-reinforced Zytel - a compound that's lightweight, abrasion resistant, and impact resistant.

The knife is shaped to sit comfortably in either your right or your left hand, and its unique blade shape provides the same safety as other knives while eliminating the need for a clunky, unwieldy crossguard. Thanks to this design and these materials, this versatile fixed-blade knife weighs in at just 8.6 ounces for enhanced portability, and it is well-balanced for further enhanced comfort and control.

Integrated Sharpener Makes an Ideal Travel Partner
A sharp blade is not just ! a more effective blade, it's also a safer blade. And because even the most durable edges sometimes require a touch up after a tough job is completed, this innovative field knife comes with an integrated sharper, conveniently stored in the back of the knife's handle. Use it whenever and wherever you have the time to sit down and maintain your blade, and ensure that your knife is at its best the next time you reach for it.

This AU-01 Aura Fixed-Blade Camping Knife comes with a durable nylon sheath, and it is backed by a lifetime warranty that protects against defects in manufacturing and materials.

About SOG: Strong, Innovative Specialty Tools
SOG originally stood for Studies and Observation Group, an elite joint services military group designed to handle covert operations during the Vietnam War. SOG Specialty Knives & Tools was founded in the spirit of this elite group and became the first knife manufacturer to offer an expanded line that included fixed blades,! folding knives, and multipurpose tools.

Each SOG product is! created by company Founder and Chief Engineer, Spencer Frazer. Known for their uncompromising style and performance, these knives and tools showcase innovation, dependability, and a unique, futuristic style that has garnered awards and recognition worldwide. SOG products have also won favor among law enforcement, military, and industrial customers that rely on their tools to perform flawlessly in the toughest, most adverse conditions.

What's in the Box
AU-01 Aura Fixed-Blade Camping Knife, enclosed sharpener, and nylon sheath.

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Collateral Damage [Blu-ray]

• Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los Angeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington?but how? When? Whe

ARNOLD SCHWARZENEGGER DELIVERS A NAIL-BITING EXCITEMENT AND BOLD ONE-MAN HEROICS AS A LOS ANGELES FIREMAN WHO SEEKS REVENGE AFTER HIS WIFE AND SON ARE KILLED IN A TERRORIST BOMBING. SCHWARZENEGGER TRACKS THE MAN RESPONSIBLE FROM COLOMBIA TOWASHINGTON, D.C. IN A RACE TO STOP HIM BEFORE HE STRIKES AGAIN.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Lo! s Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed spice to the movie's impressive display of military ordnance. Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon Through all their adventures, the bond of the Sisterhood has remained steadfast and unshakeable. But for the first time, the Sisterhood verges on falling apart when the ladies have to choose betw! een two difficult assignments. The first job guarantees a huge! paychec k; the second offers a presidential pardon - and a chance to finally emerge from hiding.For the sake of their union, the gals put aside their differences and focus on a new mission. A mysterious Washington, D.C. political operative needs them to track down a computer hacker who has stolen a highly classified list of fundraisers' names. With a presidential election looming, the girls soon realise that the job is a lot more dangerous than they had anticipated. Will their client come through with his promise? And can the ladies stop fighting - and stay alive - long enough to see it happen?This Time, The Sisterhood Might Be Their Own Worst Enemies. . .

Through all their adventures, the bond of the Sisterhood has remained steadfast and unshakeable. But for the first time, the Sisterhood verges on falling apart when the ladies have to choose between two difficult assignments. The first job guarantees a huge paycheck; the second offers a presidential pard! on--and a chance to finally emerge from hiding.

For the sake of their union, the gals put aside their differences and focus on a new mission. A mysterious Washington, D.C. political operative needs them to track down a computer hacker who has stolen a highly classified list of fundraisers' names. With a presidential election looming, the girls soon realize the job is a lot more dangerous than they had anticipated. Will their client come through with his promise? And can the ladies stop fighting--and stay alive--long enough to see it happen?

Praise for Fern Michaels and her Sisterhood novels. . .

"Revenge is a dish best served with cloth napkins and floral centerpieces. . .fast-paced. . .puts poetic justice first."--Publishers Weekly on Payback

"An unforgettable story."--Rendezvous on Weekend Warriors

This Time, The Sisterhood Might Be Their Own Worst Enemies. . .

Through all thei! r adventures, the bond of the Sisterhood has remained steadfas! t and un shakeable. But for the first time, the Sisterhood verges on falling apart when the ladies have to choose between two difficult assignments. The first job guarantees a huge paycheck; the second offers a presidential pardon--and a chance to finally emerge from hiding.

For the sake of their union, the gals put aside their differences and focus on a new mission. A mysterious Washington, D.C. political operative needs them to track down a computer hacker who has stolen a highly classified list of fundraisers' names. With a presidential election looming, the girls soon realize the job is a lot more dangerous than they had anticipated. Will their client come through with his promise? And can the ladies stop fighting--and stay alive--long enough to see it happen?

Praise for Fern Michaels and her Sisterhood novels. . .

"Revenge is a dish best served with cloth napkins and floral centerpieces. . .fast-paced. . .puts poetic justice first."--Publish! ers Weekly on Payback

"An unforgettable story."--Rendezvous on Weekend Warriors

Studio: Warner Home Video Release Date: 06/07/2011 Run time: 351 minutes

Let a terrorist take her? Not over his dead body and damned soul…

 

Silent Warrior, Book 1

 

One thing makes Jack Hunter invaluable to his Delta Force Team. The same trait that makes him suck at relationships. Single-minded focus on his careerâ€"and honing his ability to never miss a kill.

 

After a terrorist missile devastates his team and leaves him with only partial memory of a FUBARed rescue mission, he retains only one clear picture no one believes: the last face in his gunsight belonged to a prestigious American businessman. The man’s wife has to know something, but the only way to get to her is go AWOL.

 

After her husband trades his family to tango with double-Ds, Lauren Collins deci! des her dogs are better judges of character. She’s unaware h! ow far h er soon-to-be-ex’s web of deceit reachesâ€"until the only thing between her, her sons and a killer is a wounded Delta soldier who activates her sorely neglected X-chromosome like nobody’s business.

 

Their instant attraction is kryptonite to Jack’s injury-dulled edge. Thrust into a world of peril, political treachery and treason, Lauren has no choice but to trust Jack with her life. Even if she and her sons survive, she’s not sure her heart will…

 

Warning: Contains a warrior who doesn’t hesitate to lay his body on the line, more than one emotional love story to tug at your heart, and chaos at Chuck E. Cheese.

 

Surging excitement and one-man heroics fuel this powerful action thriller from the director of The Fugitive and Under Siege. Arnold Schwarzenegger plays a fireman whose wife and child are killed in a terrorist bombing and who obsessively tracks the mastermind (Cliff Curtis) behind it, from Los A! ngeles to Colombia to Washington, DC. The fanatic plans to strike again in Washington…but how? When? Where? In the scramble for answers, one thing is clear: Collateral Damage is a ticking time bomb of suspense.Arnold Schwarzenegger's loyal fans get what they want in this routine but rousing revenge thriller, which pits the aging action star against a Colombian guerrilla terrorist. Schwarzenegger plays a Los Angeles fireman who witnesses the killing of his wife and young son, caused by the terrorist's bombing in a crowded L.A. pavilion. Despite intense scrutiny by FBI and CIA officials, Arnie infiltrates the terrorist's remote jungle compound, enlists the aid of the villain's seemingly trustworthy wife (Francesca Neri), and plots to foil another bombing in Washington, D.C. Director Andrew Davis (The Fugitive) maintains adequate plausibility even when Schwarzenegger's survival grows absurdly unlikely, and lively roles for John Turturro and John Leguizamo add welcomed! spice to the movie's impressive display of military ordnance.! Despite its formulaic plot and Arnold's advancing seniority, Collateral Damage still manages to pack an entertaining punch. --Jeff Shannon

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